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Laure PolinL'âme des arbres

Confirmed artist
Best seller
Sculpture
One of a kind work
64 W x 16 H x 16 D cm
Recipient of the dedication:

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Technique
Wood Sculpture
Type
One of a kind work
Dimensions
64 W x 16 H x 16 D cm
Quality Guarantee
Sold with a certificate of authenticity

"When I am among you, trees of these great woods, In all that surrounds me and hides me at the same time, In your solitude where I enter into myself, I feel someone great who listens to me and loves me!" from a poem by Victor Hugo.

This sculpture expresses both the feeling of the human being in front of the trees but also that of the tree which some say that they have a soul.

Wooden sculpture with inlay of a bronze piece, wooden base and metal stem.

Laure Polin
France
Confirmed artist
Best seller
  • KAZoART artist since 2018
  • 32 works sold
  • 71 works

Half figurative, half abstract, his art travels between the two. Faces, bodies, sensations, movements, rhythms are born in the curves and the loose lines. In this ballet of sensations, sometimes mythological creatures emerge, summoning allegories and memories, inviting the viewer to enter the dance.

Creating living forms, in search of harmony

When Laure Polin sculpts, she perceives the space her works will have to take possession of. She does not shape her works from the outside, as a stone can be attacked by the chisel, but rather she shapes them in the very depths of their intimacy.

She does not perceive a difference between an abstract and a figurative form. Whether she creates a bust, or an abstract sculpture inspired by an interior model, Laure Polin simply seeks to create living forms.

A living form is a form in impulse, full, tenuous, which establishes a sound relationship with another form. A sculpture is a set of volumes that echo and hear each other. From this agreement must be born harmony. Her sculpture belongs to the field of discovery. When she sculpts, she does not seek to reproduce a pre-established form but constructs a form that illustrates the feeling she carries.

An intuitive plastic path

In the beginning, it is indecision: the open field of so many possibilities. Indecision leads to research: Laure Polin looks for a trace, an imprint, a mark, a memory in the material, a clue... She cuts, sands, shakes the material. Then something appears: a tiny detail sometimes, like an echo or on the contrary like a call. She recognizes an eye, a back, a vertebra, the outline of a bone structure, a construction, a movement...

In reality, Laure Polin recognizes the beginning of a soul (of her soul?), the beginning of a structure, the beginning of a work. Then the sculpture takes a form. The one she was wearing without knowing it? The one that was buried in the material? No matter, it will be the one that emerges from all her sensations of the present moment.

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